Claude Riverside connectorWhat Claude can do in your Riverside account.

Shows what changed between two revisions of a cut, so Claude can tell you what a round of tweaks altered and what stayed as it was.

Returns the name, type, duration and resolution of a media file. It is the read that fixes an item's duration before it gets placed; a still image reports none.

Fetches the studio's brand kit, optionally narrowed to one production. Riverside describes it as a read-only fetch.

Lists the caption styles already saved in the studio. Riverside asks Claude to pick from them rather than inventing a style from scratch.

Provides the parameters, accepted values and defaults of the post-production tools, according to Riverside's plugin, alongside the live tool schemas.

Surfaces Content-ID and copyright signals for a cut's media ahead of a YouTube upload. Riverside asks Claude to report a flagged match rather than publish over it.

Opens one specific layout template. Riverside warns that this read returns a large technical blob, and that the list summary is usually enough to choose between templates.

A cheap freshness check: returns the current revision of a cut, and nothing else.

Searches images and videos in the built-in stock library. Riverside's flow is to search, let you choose one, then place your pick with another tool.

Browses the free built-in music library, organised by collection and section. Variant names encode intensity and length, which helps you choose without listening to every track in full.

Finds the recording sessions behind a cut's clips, the bridge back to the transcript and the discovery tools.

Lists the available layout templates, with a summary that is usually enough to pick one. Only layouts carrying a text description show up.

Gives what is said, lined up with the cut's timeline. Claude then knows where each sentence falls, so it can cut or insert at the right spot.

The reference read of what actually exists in a cut: tracks, clips, scenes, layouts and keyframes over a time window, the read every precise operation starts from.

Turns markers taken from the transcript into safe ranges, packaged and ready to run. Riverside states it never alters the cut and that it requires an intent.

Checks a plan of operations ahead of time against the same cut and revision, then returns a hash to hand to the batch tool.

Opens one cut, names the recording it came from and gives its Riverside link, which you use to export or download it yourself in the editor.

Returns one production with its studios. It is a starting point for browsing your workspace when you do not yet know where something lives.

Returns a project's recordings and cuts in a single call. Riverside prefers it over the two separate lists, which take more effort to reach the same result.

Opens one recording. According to Riverside, the preview link, which carries an access token, is only included in the answer when it is explicitly asked for.

Returns one studio with its parent production. You start from the studio and work back up to the show, the reverse of reading a production, without listing its projects.

Gives the dialogue of a recording as prose, with one timestamp per sentence. Riverside notes those timestamps are relative to the recording session.

Lists the cuts within a project, not across a whole studio. Riverside notes the list can include cuts flagged as deleted.

Lists your productions, the top level of your workspace. Riverside notes that no tool identifies the signed-in user, so Claude starts from a search or from these lists.

Lists projects, optionally narrowed to one studio, so you can pick one.

Lists recordings page by page; Riverside's plugin pages through the list to collect every recording made on a given local date.

Lists studios, optionally narrowed to one production, so you can pick a studio. With the productions list, it is one of the starting points Riverside gives, since no tool identifies the signed-in user.

Looks for exact terms in recording transcripts. It is the most precise search, terms are matched verbatim, and it only covers recordings, not projects or clips.

Finds content when you know the topic or title but not the exact words. It searches what is said in takes; projects and clips are matched on their titles only.

Shows the social platforms and accounts linked to a studio, with each account's current options and limits. That is where Claude sees which networks are actually available.

Gives each platform's current rules: metadata, media constraints, workflow and error recovery.